Michael Mann has been making films for more than four decades. He’s no Kubrick, but the similarity of his painstaking approach means it’s pretty straightforward to get up to speed with his concise back catalog.

Bud Stamper (a 23-year-old Beatty) and Deanie (a bewitching Natalie Wood) excel at capturing such sexual repression, desperate to get it on.

Keaton had loads of juicy roles throughout the seventies, including two Godfathers and all that excellent Woody Allen stuff, but the financially successful, bafflingly titled Goodbar was the first to truly put the focus on her. In many ways it’s a bad, overlong movie and I’d argue she’s miscast coz it sure is weird seeing…