Category: Classics & Hitchcock
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8 ½ (1963)
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Read more: 8 ½ (1963)“I really have nothing to say, but I want to say it all the same.”
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Duel in the Sun
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Read more: Duel in the SunBad acting meets overripe dialogue.
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Dr. Strangelove
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Read more: Dr. Strangelove“Dr. Strangelove,” like a good Ambrose Bierce short story or H.L. Mencken essay, takes pleasure in its cynicism.
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The Passenger (1975)
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Read more: The Passenger (1975)Is it possible to be moved by a film that you don’t quite understand?
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Hidden Fortress (Kakushi-toride no san-akunin)
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Read more: Hidden Fortress (Kakushi-toride no san-akunin)We see the emotions and behavior of individuals–courage, fear, rage–but the flow and outcome of the combat are mechanical.
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Strait Jacket (1964)
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Read more: Strait Jacket (1964)one of the greatest camp classics of modern times
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Los Olividados (1950)
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Read more: Los Olividados (1950)This might not be his best but in terms of cruelty and the unflinching avoidance of sentimentality, it best typifies why Bunuel remains…
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Night of the Living Dead
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Read more: Night of the Living DeadThere’s nothing particularly frightening about George Romero’s 1968 classic about zombies run amok, but I liked it just the same.